Rishi Bankim Chandra
THERE are many who, lamenting the by-
gone glories of this great and ancient nation, speak as if the Rishis of old,
the inspired creators of thought and civilisation, were a miracle of our heroic
age, not to be repeated among degenerate men and in our distressful present.
This is an error and thrice an error. Ours is the eternal land, the eternal
people, the eternal religion, whose strength, greatness, holiness may be
overclouded but never, even for a moment, utterly cease. The hero, the Rishi,
the .saint, are the natural fruits of our Indian 'soil; and there has been no
age in which they have not been born. Among the Rishis of the later age we have
at last realised that we must include the name of the man who gave us the
reviving Mantra which is creating a new India, the Mantra Bande Mataram.
The Rishi is
different from the saint. His life may not have been distinguished by superior
holiness nor his character by an ideal beauty. He is not great by what he was
himself but by what he has expressed. A great and vivifying message had to be
given to a nation or to humanity, and God has chosen this mouth on which to
shape the words of the message. A momentous vision had to be revealed; and it
is his eyes which the Almighty first unseals. The message which he has
received, the vision which has been vouchsafed to him, he declares to the world
with all the strength that is in him, and in one supreme moment of inspiration
expresses it in words which have merely to be uttered to stir men's inmost natures,
clarify their minds, seize their hearts and impel them to things which would
have been impossible to them in their ordinary moments. Those words are the Mantra which he
was born to reveal and of that Mantra he is the seer.
What is it for which
we worship the name of Bankim today? what was his message to us or what the
vision which he saw and has helped us to see? He was a great poet, a master of
beautiful language and a creator of fair and gracious dream -figures in the
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world of imagination; but it is not as a poet, stylist or novelist that Bengal
does honour to him today. It is probable that the literary critic of the future
will reckon Kapalkundala, Bishabriksha and Krishnakanter Will as
his artistic masterpieces, and speak with qualified praise of Devi
Chaudhurani, Ananda Math, Krishnacharit or Dharmatattwa. Yet it is
the Bankim of these latter works and not the Bankim of the great creative
masterpieces who will rank among the Makers of Modern India. The earlier Bankim
was only a poet and stylist - the later Bankim was a seer and nation-builder.
But even as a poet and
stylist Bankim did a work of supreme national importance, not for the whole of
India, or only indirectly for the whole of India, but for Bengal which was
destined to lead India and be in the vanguard of national development. No
nation can grow without finding a fit and satisfying medium of expression for
the new self into which it is developing - without a language which shall give
permanent shape to its thoughts and feelings and carry every new impulse
swiftly and triumphantly into the consciousness of all. It was Bankim's first
great ser- vice to India that he gave the race which stood in its vanguard such
a perfect and satisfying medium. He was blamed for corrupting the purity of the
Bengali tongue; but the pure Bengali of the old poets could have expressed
nothing but a conservative and unprogressing Bengal. The race was expanding and
changing, and it needed a means of expression capable of change and expansion.
He was blamed also for replacing the high literary Bengali of the Pundits by a
mixed popular tongue which was neither the learned language nor good
vernacular. But the Bengali of the Pundits would have crushed the growing
richness, variety and versatility of the Bengali genius under its stiff
inflexible ponderousness. We needed a tongue for other purposes than dignified
treatises and erudite lucubrations. We needed a language which should combine
the strength, dignity or soft beauty of Sanskrit with the nerve and vigour of
the vernacular, capable at one end of the utmost vernacular raciness and at the
other of the most sonorous gravity. Bankim divined our need and was inspired to
meet it,- he gave us a means by which the soul of Bengal could express itself
to itself.
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As he had divined the
linguistic need of his country's future, so he divined also its political need.
He, first of our great publicists, understood the hollowness and inutility of
the method of political agitation which prevailed in his time and exposed it
with merciless satire in his Lokarahasya and Kamalakanter Daptar. But
he was not satisfied merely with destructive critism, - he had a positive vision
of what was needed for the salvation of the country. He saw that the force from
above must be met by a mightier reacting force from below, - the strength of
repression by an insurgent national strength. He bade us leave
the canine method of agitation for the leonine. The Mother of his vision held
trenchant steel in her twice seventy million hands and not the bowl of the
mendicant. It was the gospel of fearless strength and force which he preached
under a veil and in images in Ananda Math and Devi Chaudhurani. And
he had an inspired unerring vision of the moral strength which must be at the
back of the outer force. He perceived that the first element of the moral
strength must be tyaga, complete self-sacrifice for the country and
complete self-devotion to the work of liberation. His workers and fighters for
the motherland are political byragees who have no other thought than
their duty to her and have put all else behind them as less dear and less
precious and only to be resumed when their work for her is done. Whoever loves
self or wife or child or goods more than his country is a poor and imperfect
patriot; not by him shall the great work be accomplished. Again, he perceived
that the second element of the moral strength needed must be self-discipline
and organisation. This truth he expressed in the elaborate training of Devi
Chaudhurani for her work, in the strict rules of the Association of the "Ananda
Math" and in the pictures of perfect organisation which those books
contain. Lastly, he perceived that the third element of moral strength must be
the infusion of religious feeling into patriotic work. The religion of
patriotism, - this is the master idea of Bankim's writings. It is already
foreshadowed in Devi Chaudhurani. In Dharmatattwa the idea and in
Krishnacharit the picture of a perfect and many-sided Karmayoga is
sketched, the crown of which shall be work for one's country and one's kind. In
Ananda Moth. this idea is the key-note of the whole
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book and received its perfect lyrical expression in the great song which has
become the national anthem of United India. This is the second great service of
Bankim to this country that he pointed out to it the way of salvation and gave
it the religion of patriotism. Of the new spirit which is leading the nation to
resurgence and independence, he is the inspirer and political Guru.
The third and supreme
service of Bankim to his nation was that he gave us the vision of our Mother.
The bare intellectual idea of the Motherland is not in itself a great driving
force; the mere recognition of the desirability of freedom is not an inspiring
motive. There are few Indians at present, whether loyalist, moderate or
nationalist in their political views, who do not recognise that the country has
claims on them or that freedom in the abstract is a desirable thing. But most
of us, when it is a question between the claims of the country and other
claims, do not in practice prefer the service of the country; and while many
may have the wish to see freedom accomplished, few have the will to accomplish
it. There are other things which we hold dearer and which we fear to see
imperilled either in the struggle for freedom or by its accomplishment. It is
not till the Motherland reveals herself to the eye of the mind as something
more than a stretch of earth or a mass of individuals, it is not till she takes
shape as a great Divine and Maternal Power in a form of beauty that can
dominate the mind and seize the heart that these petty fears and hopes vanish
in the all-absorbing passion for the Mother and her service, and the patriotism
that works miracles and saves a doomed nation is born. To some men it is given
to have that vision and reveal it to others. It was thirty-two years ago that
Bankim wrote his great song and few listened; but in a sudden moment of
awakening from long delusions the people of Bengal looked round for the truth
and in a fated moment somebody sang Bande Mataram. The Mantra had been
given and in a single day a whole people had been converted to the religion of
patriotism. The Mother had revealed herself. Once that vision has come to a
people, there can be no rest, no peace, no further slumber till the temple has
been made ready, the image installed and the sacrifice offered. A great nation
which has had that vision can never again bend its neck in subjection to the
yoke of a conqueror.
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